APPLICATION PORTFOLIO
FOR COLUMBIA UNIVERSITY’S
DMA IN COMPOSITION PROGRAM
DECEMBER 14, 2023
SELECT COMPOSITIONS
1. YOUNG GOODMAN BROWN (2021) -
OPERA FOR 3 SINGERS, PIANO, AND TAPE
Act 1 excerpt: Scene 4: Voices [with tape track] | Scene 5: But Where is Faith? (End of Act 1)
Live-performance recording from the Wandsworth Arts Fringe Festival in London on June 23, 2023.
“A mini-operatic adaptation based on Nathaniel Hawthorne’s short story, Young Goodman Brown is the tale of a pious villager in Puritan New England who ventures deep into the woods one night, and discovers a sinister secret that will call into question everything he believes in.”
ROLES – The Perspective Collective:
FAITH – Erin Brittain, soprano
GOODY CLOYSE – Rachael Basescu, mezzo-soprano
YOUNG GOODMAN BROWN – Grant Mech, bass-baritone
THE DEVIL – Patrick Fink, piano
Listen to the full opera on YouTube [00:00 Act I | 15:43 Act II]
2. “MY LOVE, I WOULD HAVE LET YOU LOVE HER!” (2021, rev. 2023) -
OPERA ARIA/SCENE FOR SOPRANO AND ORCHESTRA
“My Love, I would have let you love her!” is a drafted scene (aria for soprano and orchestra) for an imagined 3-act, through-composed original opera. I notated in Sibelius 7, used ‘Noteperformer’ sound library for the orchestral playback, and overlaid my singing using Logic ProX for both the soprano and single tenor line in the demo you will hear. The lyrics for the scene/aria are also my own. This scene, as well as the general arc of the opera’s story, is the result of an imaginative dream while sleeping.
Context from my drafted treatment of the opera:
This opera takes a glance through magical realism at the lengths to which one woman will go to find closure.
Setting - The evening of the TENOR and FIANCE’s engagement party at the TENOR’S modern NYC loft.
ACT 1
The show opens on [SOPRANO], a youthful woman, delightfully cooking dinner in a beautiful, upper-class kitchen. [TENOR - dramatic tenor] enters the room from inside the house and expresses confusion over her presence. He confronts her, and we learn that he is concerned that his fiance, and her entire bridal party will discover her there. We learn that she is his ex- girlfriend, and she admits her profound confusion and frustration over the end of the relationship (aria: “My Love, I would have let you love her!”). He tries to pacify her before ultimately kicking her out of the house forcefully, as he returns to his arriving guests and party. While he is greeting them, [SOPRANO] sweeps back in, in a caterer’s outfit, discarding a bloody glove on her way. She carries an assortment of food and begins passing out appetizers, exchanging pleasantries with [TENOR]’s in-laws, [MOTHER 1] and [MOTHER 2], and [FIANCE].
3. CHRISTMAS ODE (2023) -
FOR ORCHESTRA
4. TREE OF THE SEVEN MOONS (2021) -
VIRTUAL REALITY COLLABORATION
An example of my interest in composing for VR media with spatialized audio.
TECHNOLOGY INVENTIONS
Examples of my love of inventing practical tools and technologies (both hardware and software) for composition and play-based, interactive musical exploration.
1. The “PlayUrStaff”
2. GNOTES™ TONNETZ WEB-APP
Tonnetz App
by Gnotes™ by Stephanie, LLC.
A free and interactive web-based app to explore a colored Tonnetz designed by Stephanie for use in her original Gnotes™ Method.
Inventor & Designer | Stephanie Leotsakos
Co-Developer | Spencer Shen
Note: The app is designed as a web-app and functions best on computer browsers. It has limited function on mobile phones.
1. Turn audio on.
2. Select a square note and place it into a bubble/circle in the Tonnetz.
3. Play a note (bubble), M3rd/m3rd/P5th interval (mid-line dot), or full triads (triangles)!